A digital archive of Asian/Asian American contemporary art history
Ji, Yun-Fei
Other Names: 季雲飛
Male
"My paintings examine the environment and our relationship to it. Our constant drive towards 'progress' creates an imbalance in the 'yin and yang' principal: the elemental forces governing our world.
This body of work utilizes the materials of classical Chinese landscape painting, but subverts the anticipated concept with urban imagery. The appropriation of classical Chinese painting titles takes on an ironic meaning when paired with contemporary images. Much of the work focuses on natural, industrial, and social disasters as a personal way of coping with the looming danger that challenges us all globally.
By combing the lyrical quality of classical ink painting with playful satire, the work suggests a multi-layered reading. The continual shift in scale, from panoramic to miniaturistic, intensifies our understanding of the human condition."
Yun-Fei Ji, Artist Statement
Gallery of Selected Works
Cities and the Sky (1999)
The Peach Blossom Spring (1998)
The Edge of The Garden (1992)
Garden III (1990)
(Title Unknown)
Untitled
Selected Documents
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Exhibition flyer for "Water That Floats The Boat Can Also Sink It", James Cohan Gallery, New York, November 16 - December 22, 2006
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Article "Yun-Fei Ji: Moral Vistas" by Robert Knafo in Art in America, June 2003
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Artist Resume, 1999
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Artist Statement(s)
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Exhibition press release for "Twelve Cicadas in the Tree of Knowledge", Asian American Arts Centre, 1996
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Exhibition flyer for "Twelve Cicadas in the Tree of Knowledge", Asian American Arts Centre, 1996
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Excerpts from exhibition pamphlet for "Fire House: 25th Anniversary of Asian American Arts Centre", Ye Olde Fire House, 1999
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Exhibition flyer for "Fire House: 25th Anniversary of Asian American Arts Centre", Ye Olde Fire House, 1999
Other Links
View artist folder list at Asian American Arts Centre