A digital archive of Asian/Asian American contemporary art history

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Results 1 through 20 of 22

  1. Inspiration Comes from Tranquillity Inspiration Comes From Tranquility (GING. ZHE. SHENG. LING.) (Work) by Gu, Wenda (1987)

    Materials and Techniques: tapestry installation

    Subjects: Gu Wenda; language (verbal communication); tapestries

    Local Subjects: meaning

  2. She X He She X He (Work) by Gu, Wenda (1987)

    Materials and Techniques: mixed media painting installation

    Subjects: dialectic; deconstruction (theory); Gu Wenda; language (verbal communication)

    Local Subjects: meaning

  3. DE- (earth project) DE- (earth project) (Work) by Gu, Wenda (1990)

    Materials and Techniques: a permanent burial land art project

    Subjects: Gu Wenda; burials; civilization; rituals (events)

  4. 2000 Natural Deaths 2000 Natural Deaths (Work) by Gu, Wenda (1990)

    Materials and Techniques: mixed-media installation

    Subjects: Gu Wenda; deconstruction (theory); histories; women

    Local Subjects: menstruation; self; body

  5. Red Black White Desert #1 Red Black White Desert #1 (Work) by Gu, Wenda (1990)

    Materials and Techniques: mixed-media installation

    Subjects: Gu Wenda; deconstruction (theory); dialectic; raincoats

    Local Subjects: yin yang

  6. Liquid Dried Scorched Pigment Nexus #3: Liquid Dried Scorched White Liquid Dried Scorched Pigment Nexus #3: Liquid Dried Scorched White (Work) by Gu, Wenda (1991)

    Materials and Techniques: installation

    Subjects: Gu Wenda; raincoats

  7. Wet Green Dry Yellow Scorched Black Wet Green Dry Yellow Scorched Black (Work) by Gu, Wenda (1991)

    Materials and Techniques: mixed media

    Subjects: ecology; Gu Wenda; Nature

  8. Wenda Gu's Resume, pg 1 Artist Resume, [1992] (Document) by Gu, Wenda (0000)
  9. Wenda Gu proposal, pg 1 Aritst Proposal for Applying the Grant of Asian American Arts Centre (Document) by Gu, Wenda (0000)
  10. Gu Wenda's interview, pg 1 Interview "Interview with Gu Wenda" by Bruce Parsons from exhibition catalog, Gu Wenda: the Dangerous Chessboard Leaves the Ground, 1987 (Document) by Gu, Wenda (1987)
  11. Centric 40 catalog, pg 1 Essay "Red Black White Desert" by Diana C. du Pont from exhibition catalog, Centric 40, 1990 (Document) by Gu, Wenda (1990)

    Excerpts from exhibition catalog for "Centric 40" at University Art Museum, California State University, Long Beach, from Aug. 31-Dec. 2, 1990.

  12. Desire for Words brochure, pg 1 Exhibition brochure for "Desire for Words", Hong Kong Arts Centre, 1992 (Document) (1992)

    Exhibition brochure for "Desire for Words: an Exhibition of Installation Works by Xu Bing and Gu Wenda" at Hong Kong Arts Centre, Hong Kong, from May 30-June 11, 1992, with artists Xu Bing, Gu Wenda.

  13. From Star Star to Avant Garde, flyer, pg 1 Exhibition flyer for "From 'Star Star' to Avant Garde: 10 Artists from China", Asian American Arts Centre, 1991 (Document) (1991)

    Exhibition flyer for "From 'Star Star' to Avant Garde: 10 Artists from China" at Asian American Arts Centre, New York City. Part 1 from Oct. 17-Nov. 14, 1991, with artists Fan Zhongming, Huang Yongping, Ling Ling (Billy Harlem), Wenda Gu, Xu Bing, Zhang Hongtu; Part 2 from Nov. 21-Dec. 20, 1991, with artists Chen Zhen, Hu Bing, Ling Ling (Billy Harlem), Sui K. Zhao, Zhang Jianjun.

  14. Cross-Cultural Voices II, flyer, pg 1 Exhibition flyer for "Cross-Cultural Voices II: Between Memories", Asian American Arts Centre, 1999 (Document) (1999)

    Exhibition flyer for "Cross-Cultural Voices II: Between Memories" at Asian American Arts Centre, New York City, from Sept. 1-Oct.15, 1999, and at Stephen Gang Gallery, New York City, from Sept. 1-29, 1999, with artists Sukran Aziz, Bing Hu, Wenda Gu, Hey-Yeun Jang, Jin Seok Kim, Shu-Min Lin, Osamu James Nakagawa, Leemour Pelli, Nicoletta West.

  15. Cross-Cultural Voices II, press release, pg 1 Exhibition press release for "Cross-Cultural Voices II: Between Memories", Asian American Arts Centre, 1999 (Document) (1999)

    Exhibition press release for "Cross-Cultural Voices II: Between Memories" at Asian American Arts Centre, New York City, from Sept. 1-Oct.15, 1999, and at Stephen Gang Gallery, New York City, from Sept. 1-29, 1999, with artists Sukran Aziz, Bing Hu, Wenda Gu, Hey-Yeun Jang, Jin Seok Kim, Shu-Min Lin, Osamu James Nakagawa, Leemour Pelli, Nicoletta West. (Press release dated: July 26, 1999)

  16. Cross-Cultural Voices II, exhibition catalog, pg 1 Excerpts from exhibition catalog, Cross-Cultural Voices II: Between Memories, 1999 (Document) (1999)

    Excerpts from exhibition catalog for "Cross-Cultural Voices II: Between Memories" at Asian American Arts Centre, New York City, from Sept. 1-Oct.15, 1999, and at Stephen Gang Gallery, New York City, from Sept. 1-29, 1999, with artists Sukran Aziz, Bing Hu, Wenda Gu, Hey-Yeun Jang, Jin Seok Kim, Shu-Min Lin, Osamu James Nakagawa, Leemour Pelli, Nicoletta West.

  17. Faber Birren Show Carries on Sans Namesake, pg 1 Article "Faber Birren Show Carries on Sans Namesake" by Joy L. Haenlein in Previewing, 1990 (Document) by Gu, Wenda (1990)
  18. The Peripatetic Artist Article "The Peripatetic Artist: 14 Statements" by Jason C. Kuo in Art in America, 1989. (Document) by Gu, Wenda (1989)
  19. 2000 Natural Deaths, catalog, pg 1 Excerpts from exhibition catalog, Gu Wenda 2000 Natural Deaths, 1990 (Document) by Gu, Wenda (1990)

    Excerpts from exhibition catalog for "Gu Wenda 2000 Natural Deaths" at Hatley Martin Gallery, San Francisco, from Mar. 8-Apr. 21, 1990.

  20. Mice, Temples, Audience, pg 1 Article "Mice, Temples, Audience: An Interview with Gu Wenda" by Peter Selz in Arts Magazine, 1989 (Document) by Gu, Wenda (1989)