Results for "" in Works, Documents
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Results 1 through 15 of 15
Feeding Ancestral Ghosts (Work) by Hom, Mei-Ling (1991) Materials and Techniques: mixed-media installation
Subjects: afterlife; ancestors; bowls (vessels)
Local Subjects: ghosts; Hom, Mei-Ling
Barefoot Doctor (Work) by Wong, Paul (1996) Materials and Techniques: installation
Subjects: anatomy; ancestors; bowls (vessels); cultural tourism; formularies; medicine; medicine bottles; traditional medicine
Local Subjects: Wong, Paul
Burning History (Work) by Wong, Paul (1997) Materials and Techniques: installation
Subjects: afterlife; ancestors; archaeology; burials; cultural heritage; funerary art; histories; paper (fiber product); social classes; social status; social stratification
Local Subjects: Wong, Paul; burial grounds; spirituality
Where the Mind Works (Work) by Chong, Albert V. (1986) Materials and Techniques: photograph
Subjects: ancestors; bone; Chong, Albert; flowers (plants); photographs; portraits; skull (skeleton component); vases
Local Subjects: Multiracial people
The Two Sisters (Work) by Chong, Albert V. (1987) Materials and Techniques: photograph
Subjects: ; speeches; ancestors; Chong, Albert; dresses (garments); families; flowers (plants); girls; group portraits; memorials; memory; photographs;
Local Subjects: Multiracial people; mixed race
Throne for Two Generations (Work) by Chong, Albert V. (1991) Materials and Techniques: photographs
Subjects: ancestors; books; chairs; Chong, Albert; memorials; memory; men (male humans); portraits; seashell
Aunt Winnie's Story (Work) by Chong, Albert V. (1995) Materials and Techniques: thermal transfer print on canvas with incised copper metal
Subjects: ancestors; Chong, Albert; families; flowers (plants); memorials; memory; portraits; women
The Story about my Father (Work) by Chong, Albert V. (1995) Materials and Techniques: thermal transfer print on canvas with incised copper metal
Subjects: ancestors; Chong, Albert; families; flowers (plants); memorials; memory; men (male humans); photocollages (photographic compositions); photographs; portraits
Renewal (Work) by Arai, Tomie (1998) Materials and Techniques: silkscreened mural on canvas
Subjects: ancestors; archaeology; cultural heritage; graveyards; histories; slavery
Local Subjects: Arai, Tomie; burial grounds
What's Real and What's Illusion (Work) by Okuhara, Tetsuaki (1986) Materials and Techniques: silver gelatin prints
Subjects: ancestors; composite portraits; fathers; memory; Okuhara, Tetsu; portraits; time
Hagiwara Five (Work) by Okuhara, Tetsuaki (1997) Materials and Techniques: silver gelatin prints
Subjects: ancestors; Japan (nation); life; men (male humans); Okuhara, Tetsu; portraits; time; trees
Misao (from the Hagiwara Series) (Work) by Okuhara, Tetsuaki (1993) Materials and Techniques: silver gelatin prints
Subjects: ancestors; Japan (nation); life; men (male humans); Okuhara, Tetsu; portraits; time
Autobiography: Water/Ancestors/Middle Passage/Family Ghosts (Work) by Pindell, Howardena (1988) Materials and Techniques: acrylic, tempera, oil stick, paper, polymer-photo transfer and vinyl on sewn canvas
Subjects: ancestors; photocollages (photographic compositions); Pindell, Howardena Doreen; water
Artspiral Newsletter, Winter, 1991 (Document) by Lin, Lin (1991) Winter 1991 Edition of Artspiral Newsletter, featuring "An Open Letter about Ling Ling (Billy Harlem), pg 22. To see the article, contact the Asian American Art Centre.